While that song preserves her youthful sense of being hurt, another has received an edit. Taylor Swift: Better Than Revenge (Taylor’s Version) – video (Canny branding again: most tours have a wide-ranging setlist.) On one recent date in Minneapolis, she instructed fans not to go after Mayer when she released the updated Dear John, telling them: “I don’t care about anything that happened to me when I was 19 except the songs I wrote and the memories we made together … I’m not putting this album out so that you can go and feel the need to defend me on the internet against someone you think I might have written a song about.” As well as these re-recordings, Swift is currently engaged in a huge retrospective project, the world-conquering Eras tour, in which she plays songs from each of her albums (bar the debut). More than the re-recordings of Fearless or Red, Speak Now (Taylor’s Version) is a project of revisionist history. Otherwise, the musical consistency is as impressive as ever. Mean also sounds more conciliatory in its new softness. “You made a rebel of a careless man’s careful daughter,” from opener Mine, is one of her best lyrics, but here its reckless glee is a touch muted. Now 33, she’s a much richer and more skilled singer than she was then, but their piercing, youthful twang was what made these songs kick harder in all their dressing-downs and rabid desires, emphasising the sense of a girl wading into adult waters. One issue with Swift revisiting her older work is that her voice has changed with age. I hope the three albums still to come – her self-titled debut, 1989 and Reputation – arrive as some sort of box set: the first is just endearing juvenilia the other two, along with their attendant, gruelling press cycles, live far too fresh in the memory to revisit.Īnd Speak Now (Taylor’s Version) dilutes some of the original’s acid. There is limited value in playing spot-the-difference between the recordings, and only a few of the bonus From the Vault tracks – recorded at the time but not released – have been keepers. Still only halfway through, the project is starting to feel a little wearying and pointless, other than in the business sense. The saga educated a generation of young fans about music rights and made supporting this extremely lucrative re-recording campaign an ethical issue. Swift claimed she wasn’t offered the chance to buy them back herself re-recording them gives her ownership of the new master recordings and forces any directors wishing to sync her music to use her versions. It’s the third album in Swift’s project to re-record her first six records, made for the label Big Machine, after the masters were sold to an old foe, Scooter Braun. Speak Now (Taylor’s Version) is a continuation of that spirit. (Innocent consoles Kanye West, who in 2009 invaded Swift’s acceptance speech at the MTV Video Music awards, instigating a pop-cultural paradigm shift that we’re still living through.) Listen to the Best of Maroon 5 on Apple Music and Spotify.The album is premised on Swift saying the things she wished she had said: an extended fantasy about having the last word in heartbreak – but also, for the first time, her own narrative. Mar 14: Bogota, COL, Parque Salitre Magico. Mar 12: Buenos Aires, ARG, Campo Argentino de Polo Mar 10: Montevideo, UY, Estadio Centenario Mar 7: Rio de Janeiro, BRA, Estacionamento Jeunesse Arena Mar 5: Recife, BRA, Esplanada do Classic Hall Mar 3: Brasilia, BRA, Estadio Mane Garrincha Maroon 5 also recently announced a South American tour for 2020. ‘Memories’ debuted at number 22 on 5 October 2019 on the Billboard Hot 100, later peaking at No.4 and becoming the band’s 10th top-five track. 1 on the Billboard Hot 100 in the fall of 2018. Released through 222/Interscope Records on 20 September, ‘Memories’ marked Maroon 5’s first new release since their chart-topping hit ‘Girls Like You’ (feat.

The following week, the band collaborated with Apple for a feature within the Photos app to promote the track, allowing users to make a montage of their photos set to the song. On 18 September, Maroon 5 announced the release of the song with its cover art on social media after posting several collages of photos. In other words, this song is for all of us.” Adam Levine told Radio Now: “This song is for anyone who has ever experienced loss.

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